Reviews for “I decided I’m Fine: A Roach Play”
I left the show deeply satisfied and pondering many tough questions presented. I decided that this play is more than fine— it’s great!
-Matthew Robinson, LA Theatre Bites
The Attic Collective's unique brand of storytelling is filled with impeccable improv, delightful musical numbers, and proves why their name should be synonymous with magical realism. […] I encourage you to walk into the show with as little knowledge as possible, some of the surprises are absolutely engrossing and delightful. […] Intelligent and skillful, this show is not to be missed.
-Michael Reyes, Mike-Check Theatre Reviews
“Very mature and very well done. Much more interesting than a clear black and white story. […] You leave it and want to talk someone about it who saw the play as well. […] Even if we had had a normal theatre season between now and December I would be pretty confident that this play, no matter what, would end up in my top five. It was very strong. It was a very very good play that I still think about"
-Matthew Robinson, “LA Theatre Bites’ Favorite Shows of 2020 So Far”
If you're looking for unbounded creativity and a balls-to-the-wall approach to theatre, I DECIDED I'M FINE is right up your alley. An eccentric, absurdist, relatively dark look at a woman whose grief cripples her to the point that she becomes a chronic hoarder, the play presents a compelling story and some truly inspired performances from Veronica Tjioe, Tyler Bremer, and an insanely talented supporting cast.
-Billy Ray Brewton, Better Lemons
Reviews for “The Last Croissant”
This absolute gem of a show is one of the most unique, captivating productions, and a masterclass in comedic writing, ensemble performance, and magical realism. The Attic Collective's sophomore showing at the Hollywood Fringe Festival from top to bottom was near flawless, from their jaw-dropping meticulous, crafted set design to their group of beyond talented actors who are so in sync with each other. […] The Attic Collective has kicked the doors down and proved they are here to stay. If you are not paying attention to this theatre company, I would start to immediately.
-Michael Reyes, Mike-Check Theatre Reviews
If there was an award for the most elaborate and complex show at Fringe, then this one would win hands down. […] Tjioe’s playwriting was spot-on and beautifully realized by director Rosie Glen-Lambert, making this a truly fun way to spend a couple of hours at Fringe.
-Bob Leggett, LA Music Critic
I’ve been watching this company since they started and continue to be impressed and delighted by the work they create. This is their BEST SHOW YET!! The joy onstage is infectious. The story is complex but never confusing. The precision of the direction and the cohesion of the ensemble raises the bar. Oh and you’re not going to see a better designed Fringe show. I mean, the beauty of the teabag alone. Yes, it’s ambitious and they pull it off with their signature flair. GO SEE THIS SHOW!!!
-Jessica Hanna, LA Theatre Queen and one of The Kilroys, audience review
Praise for “The String’s the thing”
The spontaneous applause that broke out after a feminist rant in Veronica Tjioe's Minotaur play was one of the most satisfying moments I've had in a theater in 2014.
Acting Mentions
“One of the real joys as a director is the discovery of young talent,” Gerringer said of Tjioe. “She was a godsend … marvelous.”
-"UCSC Student ‘Cleans House’ at Actors’ Theatre”, City on a Hill Press, 2009